So much of the joy of these final sequences comes down to Hoppers' animation, which brings each of its characters to breathtaking life, hair by hair, scale by scale, and feather by feather. A particularly funny touch? Animals' appearances change based on perspective. When we're seeing them from a human's point of view, they seem almost toy-like, with black beady eyes and neatly kept fur. From an animal's perspective, their eyes are more expressive, and their other physical characteristics are more detailed and disheveled. When Mabel is in the beaver body, its fur takes on the same spiky swoops of her hair. The switches between these points of view turn Hoppers' third act into more of a riot than it already was. Truly, I wish I could experience it for the first time all over again.
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公众号“界面文化”的《：看到江湖，然后面对它的消逝》一文探讨了武侠片的没落，作者王百臻写道：“于武侠电影而言，这些过程所导向的后果无疑是惨痛的：当江湖失去了其独特的道德厚度，转而嵌入全球大众文化的消费模板，其作为民族类型的生命力便不可避免地在同质化的洪流中被稀释，最终在与好莱坞超级英雄、魔幻史诗的正面竞争中失去了叙事的唯一性。”